NAU NUA: JACOB LAWRENCE

Migration series

Jacob Lawrence. The Migration Series. 1940-41. Panel 1: “During the World War there was a great migration North by Southern Negroes.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Jacob Lawrence. The Migration Series. 1940-41. Panel 3: “In every town Negroes were leaving by the hundreds to go North and enter into Northern industry.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Jacob Lawrence. The Migration Series. 1940-41. Panel 14: “Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Jacob Lawrence. The Migration Series. 1940-41. Panel 15: “Another cause was lynching. It was found that where there had been a lynching, the people who were reluctant to leave at first left immediately after this.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Jacob Lawrence. The Migration Series. 1940-41. Panel 17: “The migration was spurred on by the treatment of the tenant farmers by the planter.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Jacob Lawrence. The Migration Series. 1940-41. Panel 22: “Another of the social causes of the migrants’ leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Jacob Lawrence. The Migration Series. 1940-41. Panel 33: “People who had not yet come North received letters from their relatives telling them of the better conditions that existed in the North.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Phillips Collection, Washington D.C. Acquired 1942. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Photograph courtesy The Phillips Collection, Washington D.C.

Jacob Lawrence. The Migration Series. 1940-41. Panel 48: “Housing for the Negroes was a very difficult problem.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Jacob Lawrence. The Migration Series. 1940-41. Panel 52: “One of the largest race riots occurred in East St. Louis.” 1941. Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Jacob Lawrence. The Migration Series. 1940-41. Panel 58: “In the North the Negro had better educational facilities.” Casein tempera on hardboard, 18 x 12″ (45.7 x 30.5 cm). The Museum of Modern Art, New York. Gift of Mrs. David M. Levy. © 2015 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York. Digital image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY

Migration series

All works by Jacob Lawrence

Images courtesy of MoMA | Museum of Modern Art, New York

Selection from the One-Way Ticket: Jacob Lawrence’s Migration Series and other Visions of the Great Movement North

www.moma.org/interactives/exhibitions/2015/onewayticket

April 3—September 7, 2015

Special Exhibitions Gallery, third floor

The exhibition at The Museum of Modern Art is organized by Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, with Jodi Roberts, Curatorial Assistant, Department of Painting and Sculpture.