Sculpture Undone, 1955-1972
|
Alina Szapocznikow (Polish,
1926-1973). Petit Dessert I (Small Dessert I), 1970–71.
Colored polyester resin
and glass, 3 3/16 x 4 5/16 x 5 1/8″ (8 x 11 x 13 cm).
Kravis Collection. © The
Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
Photo by Thomas
Mueller, courtesy Broadway 1602, New York, and Galerie Gisela Capitain GmbH, Cologne.
|
|
Alina Szapocznikow (Polish,
1926-1973). Femme illuminée (Illuminated Woman). 1966–67.
Plaster, colored
polyester resin, electrical wiring 61 1/16 x 22 7/16 x 15 3/4″ (155 x 57 x 40
cm).
Collection Alexandre Stanisławski Photo. © Fabrice Gousset, Paris,
courtesy Piotr Stanisławski and Galerie Gisela Capitain GmbH, Cologne © The
Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
|
|
Alina Szapocznikow (Polish,
1926-1973). Torse noyé (Headless Torso), 1968.
Polyester ersin and polyurethane
foam. 18 1/8 x 25 3/16 x 28 3/4″ (46 x 64 x 73 cm).
Zachęta National Gallery of
Art, Warsaw. Courtesy Zachęta National Gallery of Art, Warsaw, and Agencja
Medium Sp. z o.o.© The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP,
Paris.
|
|
Alina Szapocznikow (Polish,
1926-1973). Dessert III, 1971.
Colored polyester resin and porcelain base. 7
1/8 x 9 7/16 x 9 7/8″ (18 x 24 x 25 cm).
Kravis Collection. Photo by Thomas
Mueller, courtesy Broadway 1602, New York, and Galerie Gisela Capitain GmbH,
Cologne. © The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
|
|
Alina Szapocznikow (Polish, 1926-1973). Untitled
(Fétiche VII) (Fetish VII), 1971.
Polyester resin, nylon tights, wool.
13 13/16 x 19 11/16 x 15 3/4” (35 x 50 x 40 cm).
Ursula Hauser Collection,
Switzerland. © The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP,
Paris.
|
|
Alina Szapocznikow (Polish, 1926-1973).
Souvenirs, 1967.
Polyester resin and photographs. Left: 4 1/2 x 1 3/8 x 2 3/4″
(11.5 x 3.5 x 7 cm). Right: 11 13/16 x 8 5/8 x 3 9/16″ (30 x 22 x 9 cm). The
Estate of Alina Szapocznikow/Piotr Stanisławski.
Courtesy Broadway 1602, New
York. © The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
|
|
Alina Szapocznikow (Polish, 1926-1973).
Lampe-bouche (Illuminated lips). c. 1966.
Colored polyester resin, metal,
electrical wiring. Ranging from 11 1/4″ (28 cm) to 20 1/2″ (52 cm) high.
© The
Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
|
|
Alina Szapocznikow (Polish, 1926-1973).
Krużlowa (Macierzyństwo) (Madonna of Krużlowa [Motherhood]). 1969.
Colored
polyester resin, photographs, gauze, 16 9/16 x 20 1/2 x 7 1/8″ (42 x 52 x 18
cm).
Société de l’Apostolat Catholique (Pères Pallotins).
© The Estate of Alina
Szapocznikow/Piotr Stanisławski/ADAGP, Paris. The Alina Szapocznikow Archive/Piotr
Stanisławski/National Museum in Kraków. Photo courtesy the Museum of Modern
Art, Warsaw.
|
|
Alina Szapocznikow (Polish, 1926-1973).
Sculpture – Lampe IV (Sculpture – Lamp IV), 1970.
Colored polyester resin,
electrical wiring. 24 13/16 x 14 3/16 x 12 3/16″ (63 x 36 x 31 cm).
Friedrich
Christian Flick Collection. Courtesy Piotr Stanisławski and Galerie Gisela
Capitain GmbH, Cologne.
© The Estate of Alina Szapocznikow/Piotr
Stanisławski/ADAGP, Paris.
|
|
Alina Szapocznikow (Polish,
1926-1973).Bouquet II, 1966.
Plaster, plastic foil, colored polyester resin,
metal. 65 x 19 11/16 x 14 3/16″ (165 x 50 x 36 cm).
Muzeum Sztuki, Łódź. Photo
by Piotr Tomczyk, courtesy Muzeum Sztuki, Łódź.
© The Estate of Alina
Szapocznikow/Piotr Stanisławski/ADAGP, Paris.
|
Read more in ALINA SZAPOCZNIKOW | A PART OF THE WHOLE here
Alina Szapocznikow: Sculpture Undone, 1955-1972
All works by Alina Szapocznikow. © The Estate of Alina Szapocznikow/Piotr Stanisławski/ADAGP, Paris except where is noted
An exhibition courtesy of Museum of Modern Arts of New York, MoMA
An exhibition organized by WIELS Contemporary Art Centre, Brussels, and the Museum of Modern Art, Warsaw, in collaboration with The Museum of Modern Art, New York, and the Hammer Museum, Los Angeles. Alina Szapocznikow: Sculpture Undone, 1955–1972, is curated by Elena Filipovic and Joanna Mytkowska. MoMA’s presentation is organized by Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings.
All rights reserved