Africadoc Benin and
Festival des Nouveaux Cinémas Documentaires
An interview by Beti Ellerson
Centre for the Study and Research of African Women in Cinema
French-Beninese
Farah Clémentine Dramani Issifou, 31 years old, talks about her evolution into
cinema, her multiple roles in film festival organising, notably Africadoc Benin
and the Festival des Nouveaux Cinémas Documentaires, and future projects.
Farah,
a bit of your background and your journey into cinema…
I discovered documentary filmmaking after
completing a Master’s in international economics and a second one in urban
planning, housing and international cooperation. In 2009, I became especially
interested when Rama Thiaw, who I met at university, completed her first
film Boul Fallé, la voie de la lutte.
Two seminal experiences framed my professional
orientation: my collaboration with Vincent Moon on his film shoot in the
Balkans, and my participation in an Africadoc scriptwriting residency. In 2010
in St. Louis, Senegal during the “rencontres Tënk” I met two Beninese
compatriots: filmmaker and producer Faïssol Fahad Gnonlonfin and radio
journalist Arnaud Akoha. I proposed to them the idea of creating the Africadoc
Benin Association. The objective was to encourage the promotion of documentary
filmmaking in Benin, in dialogue with the world.
In fact, because of the lack of cinema houses in
Benin and in view of the constant influx of images from the exterior that
circulate every day on the TV screens, as is the case in general in Africa; it
has become necessary, even urgent, to cite Gaston Kaboré: “for certain
filmmakers to create images in order to conserve their fundamental capacity to
imagine, desire, think and forge their own destiny” and to make films that
express their perspective to the world.
A
brief history of the festival BeninDocs…
Observing the emergence of a new generation of
documentarians on the continent whose films are still rarely disseminated in
Africa or in the west, Africadoc Benin decided to create BeninDocs -Festival International du Premier
Film Documentaire (International Film Festival of the First
Documentary Film). As the first biennale dedicated to the debut films of young
auteurs/directors on the African continent, it aims to encourage this emerging
talent through collaboration on local and international levels.
When I took up my duties at Belleville en Vue(s)
in January 2011, it was the first project that I had promoted. I proposed to
the existing group to support Africadoc Benin within the administration of the BeninDocs festival.
What
is the public’s reception?
The first edition took place in Porto Novo,
Cotonou and Paris in November 2011, the Mois du Film Documentaire (Documentary
Film Month) with the support of Belleville en Vue(s). More than 600 Beninese
and French festivalgoers hurried off to the different film showings and
Q&As with the filmmakers. Two workshops (initiation to the camera and
screenwriting) were organised in Porto Novo.
The spectators, who attended the festival, whether
in Paris, Porto Novo or Cotonou, were all seduced by the realistic images,
images that were also created by Africans about their realities, of a continent
that is evolving at full speed.
You
are very committed to film festival organizing. It is even a passion!
I wear two hats. I am both General Delegate of
Belleville en Vue(s) and co-founder of Africadoc Benin. Since 2011 I have put
two festivals in place: BeninDocs [organised by Africadoc Benin] and the
Festival des Nouveaux Cinémas Documentaires-the New Documentary Cinemas
Festival [organised by Belleville en Vue(s)]. At the same time, the exchanges
have allowed Belleville en Vue(s) and Africadoc Benin to each develop new
practices, to reinforce the impact of the projects and to jointly promote
emerging cinematographic writing. This is the aim of the intersecting “cartes blanches”
between the two festivals that are organised in France and in Benin.
What
are your goals for the two festivals?
My principal objectives are, on one hand to define
the artistic program of the two events, developing closer ties between Clara
Guillaud who works with me as artistic co-director of the New Documentary
Cinemas Festival and Arnaud Akoha, co-founder and coordinator of Africadoc
Benin.
In addition, I am in charge of the research for
artistic partners and funders on the local and international levels. This year
for instance, Lesedi Oluko Moche, the director of Encounters South African
International Documentary Film Festival, the most important documentary cinema
festival on the African continent, has proposed for the first time in France, a
selection of student shorts from the South African school Big Fish.
Finally, more generally, I delineate and
coordinate the projects brought in by the salaried and volunteer staff of
Belleville en Vue(s) and advise the volunteer personnel of Africadoc Benin on
the development of its activities.
Future
projects?
The first thing, in my view, is to consolidate
what already exists. It is important that these two young festivals be
supported so that a cinematic diversity continues. The first challenge is to
make them sustainable.
After enriching this year’s programming with a
festival newsletter, a live radio show hosted by REC, la Radio des Foyer [the
radio of the immigrant workers hostel] and the implementation of a certain
number of culture-related activities, it would be interesting for the next
editions to develop workshops to educate young people in the area of criticism.
In fact, without criticism cinema cannot exist.
Film criticism facilitates the comprehension of a film, even in certain cases
the capacity to appreciate it, at the same time it enhances the development of
cinemas, opening democratic debate, discussion and the exchange of points of
view.
An interview by Beti Ellerson. © Beti Ellerson
Originally published on 5th November 2013
Centre for the Study and Research of African Women in Cinema | Centre pour l'étude et la recherche des femmes africaines dans le cinéma. AFWC
AFWC website www.africanwomenincinema.org
Belleville en Vue(s)
www.belleville-en-vues.org
Africadoc
www.africadocnetwork.com
Belleville en Vue(s)
www.belleville-en-vues.org
Africadoc
www.africadocnetwork.com
All rights reserved
NAU NUA | ART MAGAZINE edition
Edited by Juan Carlos Romero
All rights reserved
NAU NUA | ART MAGAZINE edition
Edited by Juan Carlos Romero
All rights reserved